Robyn Higgins and I wrote a chapter about cultural safety in the arts in an exciting new book about community engaged arts practice The Relationship is the Project edited by Jade Lillie with Kate Larsen, Cara Kirkwood and Jax Jacki Brown.
It is exciting to be in such a fabulous line up with folks like Genevieve Grieves about working in First Nations contexts; Caroline Bowditch on access and disability; Dianne Jones, Odette Kelada and Lilly Brown on racial literacy; and other contributors including: Esther Anatolitis, Adolfo Aranjuez, Paschal Berry, Lenine Bourke, Tania Cañas, Rosie Dennis, Alia Gabres, Eleanor Jackson, Samuel Kanaan-Oringo, Fotis Kapetopoulos, Kate Larsen, Lia Pa’apa’a, Anna Reece, Daniel Santangeli, and Jade Lillie.
Here’s a tiny excerpt from our chapter to whet your appetite.
Why do we need cultural safety?
Australia is a white settler colony in which British invasion and colonisation have institutionalised whiteness. Like other sectors, this history is strongly reflected in the arts, including the ways our practitioners, organisations and institutions develop and deliver projects in collaboration with artists and communities.
Arts organisations often prioritise and centre whiteness. For people and communities who are not white, these organisations may not be seen as appropriate, accessible or acceptable, which can prevent participation and engagement.
Since I wrote this post the chapter has been edited and reprinted twice:
Artshub: Taking action for cultural safety and in The Arts Wellbeing Collective in their publication: Spotlight: The Arts Wellbeing Collective magazine – Edition 2
[/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]